Heinrich belle biography periods of life. Biography. Active political position

Heinrich Böll

West German writers, who came to literature shortly after World War II with their own (in most cases) experience of participation in it on the side of the Wehrmacht, were well aware of the difficult and responsible tasks assigned to them by history itself: to deeply and uncompromisingly comprehend the recent tragic past of their nation, to show the socio-economic roots and psychological origins of fascism, to convey to readers, first of all, to their compatriots, the truth about the crimes of the Nazis, to make every effort for the spiritual and moral revival of the homeland. Among the artists, words who have never separated their creative aspirations from the pressing concerns of society, and have invariably recognized the post-war reality in the light of a national catastrophe, on a par with Hans Werner Richter, Alfred Andersch, Wolfgang Köppen, Hans Erich Nossack, Siegfried Lenz, necessary Günter to name one of the most talented writers in Germany and Europe - Heinrich Böll (1917-1985).

Heinrich Böll was born on December 21, 1917 in Cologne in a Catholic family, Victor and Maria Böll. The family was wealthy enough, but during the economic crisis in the late 1920s, it went bankrupt and was forced to settle in the suburb of Cologne - Raderthal, where Heinrich attended a public school (1924-1928). Upon his family's return to Cologne, he studies at the humanitarian Greek-Latin grammar school (graduated in 1937). Later, Böll recalled his high school childhood: "There were about two hundred of us ... Only four or five did not belong to the Hitler Jugend before graduation." Among these few adolescents, whose minds could not be poisoned by the Nazi ideologists, was Heinrich Böll.

Having received a certificate of maturity, he works as an apprentice of a seller in a second-hand bookstore, tries his hand at literature. In 1938, Böhl was mobilized for compulsory labor service, after which, in the summer of 1939, he entered the University of Cologne, but only a few months later he ended up in the Hitlerite army. In 1961, at one of the meetings with Soviet readers in Moscow, Böll answered the question about his own participation in the war as follows: “I participated from 1939 to 1945. He was in France, and in the Soviet Union (as well as in Romania, Hungary, Poland. - E.L.). He was an infantryman. Others answer this question: he was, they say, in the war, but did not shoot and do not even know how the gun works. I consider such answers to be hypocrisy. I am just as guilty and not guilty as anyone else who fired in this war ”(1, 561). Meanwhile, it is known that Böll avoided the front as best he could; Three times wounded, he each time tried to prolong his stay in the hospital as long as possible. At the end of the war, he deserted, was captured by the Americans, after being released and returning home, he again entered the university. He earned his living as a carpenter's assistant, and later served in the statistics department.

Böll's literary debut took place in 1947, when his story "The News" was published. The first significant work was the story "The Train Came on Time" (1949) - about German soldiers returning to their units after a short leave to the front to meet their death. The novel “Where have you been, Adam?” Brought Böll the real fame. (1951), the main character which, having gone through the whole war, shortly before surrender deserts and dies from a German shell on the threshold of his home. After the publication of this novel, Böll devotes himself entirely to literary activity.

The writer left a large and very diverse genre legacy: the novels And He Didn't Say a Single Word (1953), A House Without a Master (1954), Billiards at half past nine (1959), Through the Eyes of a Clown (1963) , "Group portrait with a lady" (1971), "The outraged honor of Katharina Blum, or How violence arises and what it can lead to" (1974), "The Caring Siege" (1979), "Women against the Background of a River Landscape" (publ. 1985), "The Angel was Silent" (1992) and others; collections of stories (including "A traveler, when you come to Spa ...", 1950; "The city of familiar faces", 1955), stories ("Early Bread", 1955; "Unauthorized absence", 1964, etc.); plays and radio plays, journalistic and literary critical articles, essays, travel notes and diaries, translations. In 1972, Böll was awarded the Nobel Prize "for an art that combines a wide scope of reality with the high art of character creation and which has become a significant contribution to the revival of German literature."

Böll repeatedly visited the Soviet Union, he was readily translated, but from about the mid-1970s they stopped publishing; this peculiar boycott of the German writer lasted until the mid-1980s and was associated with his speeches in defense of Andrei Sakharov, Soviet dissident writers V. Nekrasov, V. Grossman, V. Aksenov, I. Brodsky, A. Solzhenitsyn and others. In general, Böll attached great importance to the function of the word. In the article “Language as a bulwark of freedom”, he, in particular, draws the attention of readers to the fact that “the word is effective, we know this, we have experienced it on our own skin. A word can prepare a war ... A word given to a shameless demagogue can cause the death of millions of people; opinion-making machines can spit out words like machine gun bullets. The word can kill, and the question of our conscience is not to let the language go into areas where it becomes murderous. " It is no coincidence, warns the writer, that always and wherever the free spirit is dangerous, books are first of all prohibited, as was the case in Nazi Germany. “In all states where terror reigns, words are feared almost more than armed uprisings, and often it is the word that provokes them. Language can become the last refuge of freedom. "

Böll's speech “Images of the Enemies”, delivered in 1983 in Cologne at the International Peace Congress, and “Letter to My Sons”, published shortly before his death, in connection with the 40th anniversary of the surrender of Nazi Germany, received a great response. In the Letter, he, in particular, noted: "You can always distinguish the Germans by what they call May 8: the day of defeat or the day of liberation." It was necessary to have considerable civic courage in order to remind compatriots for decades: many of them "did not understand that no one called them to Stalingrad, that as victors they were inhuman and acquired a human appearance only as defeated."

Heinrich Böll died on July 16, 1985. Death was preceded by a serious illness that resulted in partial amputation of his right leg. Böll was buried near Cologne, in Bornheim-Merten. In his hometown, a square and several schools are named after the writer.

At the very beginning of his literary career, Böll warned that “man exists not only to be controlled, and destruction in our world is not only external; the nature of the latter is not always so harmless as to delude oneself that they can be corrected in just a few years. " In this, writers from other countries were and remain his adherents. Ales Adamovich, who, as you know, himself fought in a partisan detachment as a teenager, and later many spiritual and physical strength put on the creation of books-reminders about fascism and war, completely in unison with the above words Böll wrote: "... it is necessary that as many people as possible finally realize the deadly threat of pollution not only of the natural environment, but also of the human soul" (2, 138).

Böll as an artist was very popular among our intelligentsia of the Soviet and post-Soviet period. For example, the famous Belarusian prose writer Vasil Bykov, who was part of the Soviet writers' delegation at the aforementioned congress in Cologne, recalled in his last lifetime book “The Long Way Home” (2002) that “Heinrich Böll made the brightest speech at it”. To listen to the famous compatriot, on the square in front of the library, where the congress was held, many people gathered, who together with the audience in the hall applauded the writer. V. Bykov, then already familiar with the biography of Böll, knew that during the war fate brought them together in the same places, in Moldova and near Yasy, and that, most likely, they took part in the same battles. “There I,” writes V. Bykov, “shell-shocked, returned to my battalion, and Böll, feigning illness, managed to get sent to the rear - such was the difference in our positions in that war!” (3, 362). There was also a conversation between Bykov and Böll about their experiences. According to the Belarusian writer, Böll “looked at the world of God differently - broadly and independently” and had a lasting and undeniable influence on the consciousness of Europeans. Bykov also recalls Böll's statement about language as “the last refuge of freedom” (3, 538).

Some of the works of Böll and other West German writers of the late 1940s and 1950s have been labeled “literature of ruins”. Böll's novel also belongs to these works. "A house without a master." The authors themselves considered the definition of "literature of ruins" quite reasonable. Böll wrote in his article “In Defense of the Literature of Ruins” (1952): “We did not protest against such a name, it was appropriate: the people we wrote about really lived on the ruins, equally crippled by the war, men, women, even children ... And we, the writers, felt our closeness to them so much that we could not distinguish ourselves from them - from black market speculators and from their victims, from refugees, from everyone who somehow lost their homeland, and above all, of course, from a generation to which they themselves belonged and which for the most part was in an unusual and memorable situation: they returned home ... So we wrote about the war, about the return, about what we saw in the war and what we found when we returned - about ruins " ... Of course, Böll was not just referring to literal ruins (although they too); Fascism mutilated and destroyed the German people in a spiritual sense, and it was much more difficult to overcome this condition than to erect new buildings.

The novel (like many other works by Böll) is set in the author's hometown, the old Rhine Cologne. “Cologne is my material,” the writer said. "I show the bitterness and despair that has accumulated in this city, as in all of post-war Germany." In the center of the story are two families, each of which was left without an owner as a result of the war. Accordingly, the main characters of the novel are eleven-year-old boys who grew up without fathers, Martin and Heinrich, and their mothers, Nella and Wilma. According to their social status, these are different families: while Wilma and her children are barely making ends meet, Nella does not have to think about a piece of bread: the gummy factory, which previously belonged to her father, did not stop production during the war (on the contrary, because of this insatiable new consumer, like the war, things went just brilliantly) and after it continues to bring considerable profit. Meanwhile, in the sense of the spiritual and moral, the existence of both families is equally unsettled, destroyed by the recent war.

Nella's normal life was cut short with the death at the front of her husband, the young talented poet Raimund Bach. Nella at one time also succumbed to fascist propaganda and joined the Hitler Jugend, but meeting with Raimund changed her views. His death, in fact, broke Nella, she lives as if half asleep, floating with the flow, cherishing her "painful dream" of love, which is no longer destined to become a reality. Reality is the “ground on which it least liked to tread” (the novel is quoted in translation by S. Fridlyand and N. Portugalov); over and over again she "glues the film together from the scraps that have become dreams", replaying it in memory, trying to "turn back time." The very idea that life goes on and that the living should think about the living is unbearable for her. She is afraid of a new serious relationship, a possible new marriage, because she is convinced that no attributes of the latter - neither a wedding, nor a civil registration - will save anyone and anything, as soon as the next "insignificance, endowed with the power to send to death" appears.

Nella's son, Martin, who was orphaned before birth, one of the "first graders of 1947", never leaves the thought of his father. From Raimund, he passed on a vivid imagination, and for long nights the boy mentally travels along the roads his father had traveled "this dirty war" - across France and Poland, Ukraine and Russia, in order to eventually find himself "somewhere near Kalinovka", where in 1942 and Raimund Bach died.

Even eleven-year-old Martin realizes that "the private and the poet" is something completely incompatible. Bach is one of those who are usually called the "involuntary culprits" of the war. An anti-fascist by his convictions, he is denounced even before the front ends up with a friend, the artist Albert Mukhov, in a "private concentration camp" equipped with attack aircraft in an old casemate. Here they were beaten, trampled with boots, here they were mocked by "the Germans to the bone." Hating Hitler and the military, not wanting to join the army, even having the opportunity to avoid conscription and emigrate, he nevertheless does nothing to free himself from service in the Wehrmacht. It seems to Nella that Raimund “himself wanted to die”: the same opinion, in essence, and Albert: “They killed the soul in him, devastated; in four years he has not written anything that could please him. " Thirty-seven poems are all that remain of him to a widow, a son and German poetry.

The fate of Wilma Brilach turned out differently, but in many ways resembles the story of Nella. Her today's reality is hard physical labor, poverty, half-starved children, but all this does not prevent her from living, like Nella, a ghostly, illusory life, on the verge of sleep and reality, mentally transferred to the time when her husband Heinrich Brilakh, an assistant locksmith , has not yet burned out, has not turned into a "black mummy" in his "victorious" tank "somewhere between Zaporozhye and Dnepropetrovsk." “The difference between his mother and Martin’s mother, in fact, is not so great,” concludes Heinrich, “perhaps it is only in money.”

Wilma's son, in fact, does not know childhood: born on the dirty bunk of a bomb shelter at the moment when bombs fell on his house, he was orphaned at three months, and barely having time to grow up, he shouldered the care of his mother and little sister, oh their daily bread. The “uncles”, who appeared in turn in the mother's life, were in no hurry to take responsibility for her and the children, and Wilma herself, not sure of the future, was afraid of losing the meager state allowance for the deceased breadwinner, and therefore did not too much aspire to the official marriage. Smart and reasonable beyond his years, Heinrich learns life not so much at school as on the black market, gaining every pfennig. Like Martin, he is not at all attracted to the adult world, in which there is so much injustice and filth. It seems to the boy that everything living and good is buried under impenetrable ice, and even the saints are not able to break through it to a person.

Not relying on adults, but at the same time closely observing them, children themselves try to find answers to questions that are not at all simple even for people with everyday experience: what is morality and immorality, sin and guilt, hope and doom, what people are they talking about, that they are “desperate” and that it means “to break a man” ... It is with the images of boys that the narrator (and with him the reader) connects the hope for a future in which there will be no place for the ugly manifestations of the past.

Albert Mukhov, one of the most attractive characters in the novel, plays an essential role in shaping the consciousness of children. A talented artist, Albert worked as a London correspondent for a German newspaper before the war, which hastened to get rid of him - most likely because of his anti-fascist beliefs. Having the opportunity to stay abroad, after the death of his wife, he returns to Germany. Nella's father arranged for Albert to work in his gum factory, where he and Raimund worked in advertising.

The death of his wife, the "private concentration camp", the front, the death of a friend, the German military prison in Odessa because of the slap he gave to Lieutenant Geseler, who sent Raymund Bach to his inevitable death - all this broke Albert. The world of his soul is destroyed, he is not able to be an artist, moreover, the consciousness of his own belonging to the “former”, albeit “involuntary”, haunts, because he also fought and even before the front had time to work in a certain sense for the war: "The victorious path of the German army was strewn not only with shells, not only ruins and carrion, but also tin cans from under the jam and marmalade ..."; "... it was not sweet for us to stumble upon this good everywhere, it just tormented us ..."

Nevertheless, he believes that "it is possible and necessary to start a new life." Albert managed to preserve humanity and compassion in himself, helps Nella, as he takes care of Martin like his own son, is not indifferent to the fate of Henry. He is convinced that the monstrous past should not disappear from the memory of descendants, for this is the only way to avoid its repetition. For the sake of preserving his filial and historical memory, he brings Martin to the place of his father's torture: “Remember, they beat your father here, trampled on him with their boots and beat me here: remember this forever!” Albert is well aware that returning to ordinary life is the only way out for the nation and for every German, but by no means through oblivion of the tragic past.

Ales Adamovich once wrote: “A hangover can be difficult, and then“ supermen ”, as the highest recognition, are most eager to forget who they wanted to become, and to look at them simply as people, at ordinary. It turns out that this is so much, this is the greatest blessing and recognition - to be ordinary, to be considered ordinary! .. It turns out that you still have to deserve to be accepted into the category of “just people”. After the rat-catcher took you away from them, beckoning you to "supermen", the return is not easy. And not through oblivion of the past, but through self-purification with truth, through judgment over the past ”(4, 177–178).

With regard to Böll's novel, his characters really strive for the category of “just people”, but many do not “through the judgment of the past”, not “through self-purification by the truth,” namely, “through oblivion of the past”. These “former” ones are not too tormented by their conscience because of their connections with fascism, and in such cases it is, as a rule, not about indirect, but about real accomplices of fascist atrocities. Geseler, until recently the most devoted Nazi, is convinced that the war must be banished from memory; he himself does it very well. Once he deliberately sent Raymund Bach to certain death, and now he is “working on an anthology of lyric poetry,” which he “cannot imagine” without his poems. "These days you can't talk about lyrics without talking about your husband!" - without a shadow of embarrassment (after all, he “forgot, forgot everything”) he declares to the widow of Raimund.

The same can be said about Schurbigel, who in 1934, after Hitler came to power, defended his doctoral dissertation on the topic "The image of the Fuhrer in modern lyrics," and when he became editor-in-chief of a major Nazi newspaper, he fervently called on German youth to join the ranks of stormtroopers. After the war, when the annoying need arose to hide his Nazi views as far as possible, he suddenly "learned the boundless charm of religion", became a "Christian and discoverer of Christian gifts", "discovered" Raymund Bach, starting to publish it back in the days of Nazism. After the war, he is “a specialist in contemporary painting, contemporary music, contemporary lyrics”, “incorruptible critic”, author of “the most courageous thoughts” and “the most risky concepts”, researcher of the topic “The attitude of a creative person to the church and the state in our technical age”. He begins each of his speeches with criticism of the "pessimists" and "heretics", "unable to comprehend the progressive development of a spiritually matured personality." The son of a hairdresser, he fully mastered the art of “anointing and massaging”, only, unlike his father, he does it not with their heads, but with the souls of people.

There are other similar characters in the novel, for example, a Catholic priest who, during the war, offered up “solemn prayers for the fatherland”, instilled “patriotic enthusiasm in the souls” and “begged for victory,” poeticizing fascism and feeding false pathos to more than one generation fellow citizens; or a school teacher who, even after defeat, does not get tired of convincing children that “they are not so scary Nazi, how scary the Russians are. " There were a lot of such “eternally yesterday's” in West Germany in the 1950s, and Böll, as a courageous and conscientious man, strove to show that fascism still remained (according to the definition widespread in German literary criticism) an “unresolved past,” “a reality not only of yesterday, but and today. " In his "Frankfurt Lectures" (1964), Böll was even more categorical: “Too many murderers openly and brazenly roam this country, and no one will prove that they are murderers. Guilt, remorse, insight have not become social categories, let alone political. "

The novel "A House Without a Master" is rather complex in its artistic structure. Its composition is marked by fragmentation, external disorder, individual episodes are linked according to the principle of film editing, and these qualities are already meaningful in themselves, correspond to the atmosphere of spiritual disorder and material devastation that reigned in West German society in the first post-war years and even decades. The characters live in several time dimensions, the past and the present are layered, sometimes almost merging and demonstrating the conditionality of the current state of affairs by yesterday's catastrophic events.

The perspectives of the narrative change now and then, the novel is characterized by the so-called plurality of points of view (probably, it was not without the influence of the American writer William Faulkner): the reader looks at everything that happens through the eyes of Nella, Wilma, Albert, or one boy or another. Reality is common for them, but for each of them something different; as a result, the stories of the heroes lose their individuality, seclusion, form an objective panorama of the life of post-war Germany.

The title of the novel is also multidimensional, bearing in itself, in addition to its specific content, also a deeply symbolic meaning: Germany, first divided by the allies into "zones" and soon split into two states, also seemed to be "a house without an owner."

The characters' immersion in the past or in certain problems is conveyed through words and expressions, highlighted - in order to activate the reader's thought - in italics. The novel is full of leitmotif symbols, monologue prevails over the dialogical story. The importance of given an accurate and expressive detail (this can be the title of a book or a street sign, a movie poster or an advertising poster, a description of the label or nuances of pronunciation, etc.), as well as the poetics of color (for example, the appearance of Nella is always accompanied by the mention of green, which in general is often found in the works of Böll; it is known that it was his wife's favorite color).

An essential function in the creation of the artistic world of the novel is performed by biblical motives, images, quotes, and prayer words that permeate the narrative. An unforgettable impression is left by the urban landscapes of Böll - descriptions of Cologne, in which the air of the city gives off a salty smell, then bitter - of freshly tarred barges, it is filled with lingering whistles of steamers sailing over the clumps of coastal trees.

Böll brilliantly mastered the art of subtle penetration into the psychology of heroes, including children. It is no coincidence that Ales Adamovich, admitting that he appreciates those authors whose minds are directed "to the depths of human psychology" (5, 323), along with the names of F. Dostoevsky, L. Tolstoy, I. Bunin, W. Faulkner, called the name of Heinrich Böll.

Sources of

1. Motyleva T.L. Heinrich Böll: Prose different years// G. Böll. Unauthorized absence: Novels, stories. Minsk, 1989.

2. Adamovich A. Khatyn story. Punishers. M., 1984.

3. Vykau V. Dougaya daroga dadomu. Mshsk, 2002.

4. Adamovich A. About modern military prose. M., 1981.

5. Adamovich A. Thinking through: Literature and the Troubles of the Century. M., 1988.

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Heinrich Böll was born on December 21, 1917 in Cologne into a large cabinetmaker's family. From early childhood, he wrote poetry and stories. After graduating from high school, Belle, unlike most of his classmates, did not join the Hitler Youth. The young man wanted to go to university, but this was refused. For several months he studied bookselling in Bonn, and then was involved in forced labor. Then Belle still became a student at the University of Cologne, but in 1939 he was drafted into the army. He served as a corporal on the Eastern and Western Fronts and was wounded several times. In 1942 Belle married Anna Marie Cech. In 1945 he was captured by the Americans and spent several months in a prisoner of war camp in southern France.

After the war, Belle returned to Cologne. He studied at the university, worked in his father's workshop and in the city bureau of demographic statistics. Already in 1947 he began to publish his stories. In 1949, the first story was published and received a positive response from critics - "The train came on time", a story about a young soldier who is about to return to the front and die soon.

In 1950, Belle became a member of the Group 47, an association of progressive young writers. In 1952, in the article "Recognition of the Literature of Ruins", a kind of manifesto of this literary association, he called for the creation of a "new" German language- simple and truthful, connected with concrete reality, opposing the bombastic style of the times of the Nazi regime. In the novels "Wanderer, when you come to the Spa ..." (1950), "Where have you been, Adam?" (1951), Bread of the Early Years (1955) Belle described the senselessness of war and the hardships of post-war life. Then, from stories with simple plots, he gradually moved on to more voluminous things - "And he did not say a single word" (1953), "A house without a master" (1954).

In the future, Belle's works become more complex in composition. The novel Billiards at half past nine (1959) tells the story of a family of Cologne architects. Although the action is limited to only one day, the text, based on internal monologues, is structured in such a way that the life of three generations is presented, a look at half a century of German history - from recent years reign of Kaiser Wilhelm in fact until the time of writing the novel. This novel brought Belle to the fame of one of the leading prose writers of the Federal Republic of Germany.

The story "Through the Eyes of a Clown" (1963) also takes place over the course of one day. This is an internal monologue of the protagonist, a circus performer, recalling his wartime childhood and post-war youth. He finds no support in anything - neither in love, nor in a well-established way of life, nor in religion; in everything he sees the hypocrisy of the post-war society.

Resistance to official power and official norms is a characteristic Belle theme. It sounds in "Unauthorized absence" (1964), "The end of one business trip" (1966).

The pinnacle of international recognition was the election of Belle in 1971 as President of the International Pen Club. In 1972 he was the first German writer of the post-war generation to be awarded Nobel Prize... The decision of the Nobel Committee was largely influenced by the release of the large and complex (consisting of interviews and documents) novel “Group Portrait with a Lady” (1971), in which the writer tried to create a grandiose panorama of the history of Germany in the twentieth century.

In the early 1970s. years., after a series of terrorist attacks carried out by West German ultra-left youth groups, Belle came out in their defense, justifying the horrendous actions of the unreasonable internal policy of the West German authorities, the impossibility of individual freedom in modern German society. The story "The Lost Honor of Katharina Blum, or How Violence Arises and What It Can Lead to" (1974) was written based on personal impressions of the attacks on the writer in the West German press, which, not without reason, dubbed him the "inspirer" of terrorists. The central problem of the story (like all of Belle's later works) is the invasion of the state and the press into the private life of an ordinary person. The story caused a great public outcry, was filmed.

Other works by Belle - "The Caring Siege" (1979) and "Image, Bonn, Bonn" (1981), also tell about the danger of state supervision over its citizens.

In 1985, in connection with the fortieth anniversary of the surrender of Nazi Germany, Belle published "A Letter to My Sons" - about how he himself survived the end of the war. The theme of reckoning with the fascist past is also present in the latest, posthumously published novel Women against the Background of a River Landscape.

Belle traveled a lot. He visited Poland, Sweden, Greece, Israel, Ecuador; repeatedly visited France, England and especially Ireland, where he lived in his own house.

Belle was the most popular West German writer in the Soviet Union, one of the idols of the young post-war generation. His books became available thanks to the thaw of the late 1950s and 1960s. More than 80 stories, novellas, novels and articles of the writer were published in Russian, and his books were published in much larger circulations than in his homeland, the Federal Republic of Germany. Belle was a frequent visitor to the USSR. But in 1974 the writer, despite the protest of the Soviet authorities, provided A.I. Solzhenitsyn had a temporary refuge in his home in Cologne (in the previous period he had illegally exported Solzhenitsyn's manuscripts to the West, where they were published). As a result, Belle's works were no longer published in the Soviet Union; the ban was lifted only in the mid-1980s. with the beginning of perestroika.

In 1980, Belle fell seriously ill and suffered an amputation of his right leg. At the beginning of July 1985, he was forced to go to the clinic again, and on July 16, 1985, he died. Buried in Bornheim-Merten near Cologne; the funeral was held with a large crowd of people, with the participation of fellow writers and politicians.

In 1987, the Heinrich Böll Foundation was established in Cologne, a non-governmental organization closely cooperating with the Green Party (its branches exist in many countries, including Russia). The Foundation supports projects in the field of civil society development, ecology, and human rights.

Heinrich Theodor Boll (German Heinrich Theodor Boll, December 21, 1917, Cologne - July 16, 1985, Langenbroich) - German writer (FRG), translator, Nobel Prize winner in Literature (1972). Heinrich Böll was born on December 21, 1917 in Cologne, into a liberal Catholic artisan family. From 1924 to 1928 he studied at a Catholic school, then continued his studies at the Kaiser Wilhelm Gymnasium in Cologne. He worked as a carpenter, served in a bookstore.

From 1924 to 1928 he studied at a Catholic school, then continued his studies at the Kaiser Wilhelm Gymnasium in Cologne. After graduating from high school in Cologne, Böll, who wrote poetry and stories from early childhood, turns out to be one of the few students in the class who did not join the Hitler Youth.

After graduating from the classical gymnasium (1936) he worked as an apprentice seller in a second-hand bookstore. A year after leaving school, he is sent to work at an Imperial Labor Service labor camp.

In the summer of 1939, Böll entered the University of Cologne, but in the fall he was drafted into the Wehrmacht. During World War II, 1939-1945, he fought as an infantryman in France, took part in battles in Ukraine and Crimea. In 1942 Böll marries Anna Marie Cech, who bore him two sons. In April 1945 Böll surrendered to the Americans.

After his captivity, he worked as a carpenter, and then returned to the University of Cologne and studies philology.

Böll began publishing in 1947. The first works - the story "The Train Comes on Time" (1949), the collection of stories "Wanderer, when you come to the Spa ..." (1950) and the novel "Where have you been, Adam?" (1951, Russian translation, 1962).

In 1950 Belle became a member of Group 47. In 1952, in the keynote article "Recognition of the Literature of Ruins", a kind of manifesto of this literary association, Belle called for the creation of a "new" German language - simple and truthful, connected with concrete reality. In accordance with the declared principles early stories Belle's are distinguished by stylistic simplicity, they are filled with vital concreteness.

Belle's collections of stories "Not Just for Christmas" (1952), "The Silence of Dr. Murke" (1958), "The City of Familiar Faces" (1959), "When the War Started" (1961), "When the War Was Over" (1962) found a response not only among the general reading public and critics. In 1951, the writer received the Group 47 prize for the story "Black Sheep" about a young man who does not want to live by the laws of his family (this topic would later become one of the leading in Belle's work).

From stories with uncomplicated plots, Belle gradually moved on to more voluminous things: in 1953 he published the story "And He Didn't Say a Single Word", a year later - the novel "A House Without a Master." They are written about the recent experience, the realities of the first very difficult post-war years were recognized in them, the problems of the social and moral consequences of the war were touched upon.

The novel Billiards at half past nine (1959) brought Belle the fame of one of the leading German prose writers. A notable phenomenon in German literature was Belle's next great work, Through the Eyes of a Clown (1963).

Together with his wife, Böll translated into German such American writers as Bernard Malamud and Salinger.

In 1967 Böll received the prestigious German Georg Büchner Prize. In 1971, Böll was elected President of the German PEN Club, and then headed the International PEN Club. He held this post until 1974.

In 1972 he was the first German writer of the post-war generation to be awarded the Nobel Prize. To a large extent, the decision of the Nobel Committee was influenced by the release of the writer's new novel "Group Portrait with a Lady" (1971), in which the writer tried to create a grandiose panorama of the history of Germany in the 20th century.

Heinrich Böll tried to appear in print demanding an investigation into the deaths of members of the RAF. His story "The Lost Honor of Katharina Blum, or How Violence Arises and What It Can Lead to" (1974) was written by Belle under the impression of attacks on the writer in the West German press, which not without reason she christened him the "inspirer" of terrorists.

The central problem of "The Lost Honor of Catharina Blum", like the problem of all Belle's later works, is the invasion of the state and the press into the private life of an ordinary person. The dangers of state oversight of its citizens and the "violence of sensational headlines" are also described in Belle's latest works - "The Caring Siege" (1979) and "Image, Bonn, Bonn" (1981).

In 1979, the novel Fursorgliche Belagerung was published, written back in 1972, when the press was overwhelmed with materials about the Baader Meinhof terrorist group. The novel describes destructive social consequences arising from the need to strengthen security measures during mass violence.

In 1981, the novel What Will Become a Boy, or Something about the Book Part (Was soll aus dem Jungen bloss werden, oder: Irgend was mit Buchern) was published - memories of his early youth in Cologne.

Belle was the first and perhaps the most popular West German writer of the young post-war generation in the USSR, whose books were published in Russian translation. From 1952 to 1973, more than 80 stories, novellas, novels and articles of the writer were published in Russian, and his books were published in much larger circulations than at home, in the FRG.

The writer visited the USSR several times, but he was also known as a critic of the Soviet regime. Received A. Solzhenitsyn and Lev Kopelev, expelled from the USSR. In the previous period, Belle illegally exported Solzhenitsyn's manuscripts to the West, where they were published. As a result, Belle's works were banned from publication in the Soviet Union. The ban was lifted only in the mid-1980s. with the beginning of perestroika.

Böll died on July 16, 1985 in Langenbroich. In the same 1985, the writer's very first novel, "Soldier's Legacy" (Das Vermachtnis), was published, which was written in 1947, but was published for the first time.

In 1987, the Heinrich Böll Foundation was established in Cologne, a non-governmental organization closely cooperating with the Green Party (its branches exist in many countries, including Russia). The Foundation supports projects in the field of civil society development, ecology, and human rights.

(1917-1985) german writer

For the first time they started talking about Heinrich Böll at the end of the 40s. XX century, when in the German magazine "Welt und Worth" was published a review of his first book "The train arrives on time." The article ended with a prophetic comment from the editor: "You can expect the best from this author." Indeed, even during his lifetime, critics recognized Böll as "the best writer of everyday life in Germany in the middle of the 20th century."

The future writer was born in the ancient German city of Cologne in the family of a hereditary cabinetmaker. Fleeing from persecution by supporters of the Anglican Church, Böll's ancestors fled England during the reign of King Henry VIII. Henry was the sixth and most youngest child in family. Like most of his peers, at the age of seven, he began to study in a folk four-grade school. Neither he nor his father liked the spirit of drill that reigned in her. Therefore, after completing the course, he transferred his son to the Greco-Latin gymnasium, where he studied classical languages, literature and rhetoric.

Already from the second grade, Heinrich was considered one of the best students, wrote poems and stories, which repeatedly received prizes in competitions. On the advice of his teacher, he even sent his works to the city newspaper, and although not a single story was published, the editor of the newspaper tracked down the young man and advised him to continue his literary studies. Later, Heinrich refused to join the Hitler Youth (the youth organization of the Nazi party) and was one of the few who did not want to participate in the Nazi processions.

After graduating with honors from the gymnasium, Heinrich did not continue his education at the university, which was dominated by the Nazis. He enrolled as an apprentice in a second-hand bookstore owned by one of his family's acquaintances, and at the same time self-educated himself, having read almost all of the world's literature in a few months. However, an attempt to escape from reality, to withdraw into his own world was unsuccessful. In the fall of 1938, Böll was recruited into the labor force: for almost a year he worked in logging in the Bavarian black forest.

Returning home, he entered the University of Cologne, but studied there for only a month, because in July 1939 he was drafted into the army. Henry went first to Poland and then to France. In 1942, after receiving a short leave, he came to Cologne and married his longtime acquaintance Annemarie Cech. After the war, they had two sons.

In the summer of 1943, the unit in which Böll served was sent to Eastern front... Subsequently, he reflected his feelings of departure in the story "The Train Comes on Time" (1949). On the way, the train was blown up by partisans, Böll was wounded in the arm, and instead of the front he ended up in a hospital. After recovering, he again went to the front and this time was wounded in the leg. Having barely recovered, Böll again went to the front and after just two weeks of fighting he received a shrapnel wound in the head. He spent more than a year in the hospital, after which he was forced to return to his unit. However, he was able to obtain legal leave from injury and briefly returned to Cologne.

Böll wanted to move to the village with his wife's relatives, but the war ended, and American troops entered Cologne. After several weeks in a POW camp, Böll returned to his hometown and continued his studies at the university. To provide for his family, at the same time he began to work in the family workshop, which his older brother inherited.

At the same time, Böll again began to write stories and send them to various magazines. In August 1947, Karusel magazine published his story Farewell. Thanks to this publication, its author entered the circle of young writers grouped around the Klich magazine. In this anti-fascist edition in 1948-1949. a number of Böll's stories appeared, later combined into the collection "Wanderer, when you come to the Spa ..." (1950). The collection was published by the Berlin publishing house "Middelhauw" almost simultaneously with the publication of Böll's first story "The Train Is Never Late" (1949).

In it, Böll convincingly and dynamically spoke about tragic fate those whose young years fell on world war, showed the regularity of the emergence of anti-fascist views, caused by the internal disorder and disunity of people. The release of the story brought fame to the aspiring writer. He entered the literary "group of 47s" and began to actively publish his articles and reviews. In 1951 Böll was awarded the Group Prize for the story "Black Sheep".

The year 1952 became a milestone in the life of the writer, when his novel "Where have you been, Adam?" In it, Böll, for the first time in German literature, spoke about the damage that fascism did to destinies ordinary people... Critics immediately accepted the novel, which could not be said about the readers: the circulation of the book was sold out with difficulty. Böll later wrote that he "frightened the reader when he expressed too uncompromisingly and harshly what was on everyone's lips." The novel has been translated into many European languages. He made Böll famous outside of Germany.

After the publication of the novels And He Did Not Say a Single Word (1953), A House Without a Master (1954), and the novel Early Bread (1955), critics recognized Böll as the greatest German writer of the front-line generation. Realizing the need to go beyond one topic, Böll devoted his next novel, Billiards at half past nine (1959), to the history of a family of Cologne architects, masterfully inscribing the fate of three generations in the events of European history.

The writer's rejection of bourgeois money-grubbing, philistinism, and hypocrisy becomes the ideological basis of his work. In the story "Through the Eyes of a Clown," he tells the story of a hero who prefers to play the role of a jester in order not to submit to the hypocrisy of the society around him.

The release of each work of the writer becomes an event. Böll is actively translated all over the world, including the USSR. The writer travels a lot, in less than ten years he has traveled almost the whole world.

Relationship with Soviet authorities were quite difficult for Böll. In 1962 and 1965, he came to the USSR, vacationed in the Baltics, worked in archives and museums, wrote a script for a film about Dostoevsky. He clearly saw the shortcomings of the Soviet system, wrote openly about them, spoke in defense of the persecuted writers.

At first, his harsh tone was simply "not noticed", but after the writer provided his house for the residence of Alexander Solzhenitsyn, expelled from the USSR, the situation changed. Böll was no longer published in the USSR, and for several years his name was tacitly banned.

In 1972 he published his most significant work - the novel "Group portrait with a lady", which tells a semi-anecdotal story about how a middle-aged man is restoring the honor of his acquaintance. The novel was recognized as the best German book of the year and was awarded the Nobel Prize in Literature. "This revival," said the chairman of the Nobel Committee, "is comparable to the resurrection from the ashes of a culture that seemed to be doomed to complete destruction, but gave new shoots."

In 1974, Böll published the novel The Outraged Honor of Katharina Blum, in which he spoke about a heroine who did not accept the circumstances. The novel, ironically interpreting the life values ​​of post-war Germany, caused a great public outcry and was filmed. At the same time, the right-wing press began persecuting the writer, who was called "the spiritual mentor of terrorism." After the CDU won the parliamentary elections, the writer's house was searched.

In 1980, Böll fell seriously ill, and doctors were forced to amputate part of his right leg. For several months, the writer was bedridden. But after a year he was able to overcome the disease and returned to active life.

In 1982, at the International Congress of Writers in Cologne, Böll delivered a speech "Images of Enemies", in which he recalled the dangers of revanchism and totalitarianism. Shortly thereafter, unknown persons set fire to his house, and part of the writer's archive burned down. Then the council of the city of Cologne awarded the writer the title of honorary citizen, presented him with a new house and acquired his archive.

In connection with the fortieth anniversary of the surrender of Germany, Böll wrote a "Letter to my sons." In a small but capacious work, he frankly spoke about how difficult it was for him to reevaluate the past, what inner torments he experienced in 1945. It so happened that in 1985 Böll also published his first novel, The Soldier's Legacy. It was completed in 1947, but the writer did not publish it, considering it immature.

Having told about the war in the East, the writer wanted to completely reckon with the past. The same theme is heard in his latest novel, Women Against the Background of a River Landscape, which went on sale just a few days after Böll's death.

Speeches, meetings with readers caused an exacerbation of the disease. In July 1985, Böll was again in the hospital. Two weeks later, there was an improvement, the doctors recommended that he go to a sanatorium to continue treatment. Böll returned home, but died unexpectedly the next day of a heart attack. It is symbolic that literally a few hours before this, the writer signed his last publicistic book "The Ability to Grieve" to print.

Heinrich Böll was born on December 21, 1917 in Cologne, into a liberal Catholic artisan family. From 1924 to 1928 he studied at a Catholic school, then continued his studies at the Kaiser Wilhelm Gymnasium in Cologne. He worked as a carpenter, served in a bookstore.

In the summer of 1939, Böll entered the University of Cologne, but in the fall he was drafted into the Wehrmacht. During World War II, Böll is captured by the Americans. After the war, he returned to the University of Cologne and studied philology.

Böll began publishing in 1947. The first works - the story "The Train Comes on Time" (1949), the collection of stories "Wanderer, when you come to the Spa ..." (1950) and the novel "Where have you been, Adam?" (1951, Russian translation, 1962).

In 1971, Böll was elected President of the German PEN Club, and then headed the International PEN Club. He held this post until 1974.

Heinrich Böll tried to appear in print demanding an investigation into the deaths of members of the RAF.

The writer visited the USSR several times, but he was also known as a critic of the Soviet regime. Received A. Solzhenitsyn and Lev Kopelev, expelled from the USSR.

Belle Heinrich (December 21, 1917, Cologne - July 16, 1985, ibid.), German writer. Born December 21, 1917 in a family in a liberal Catholic family of cabinetmaker and artisan, sculptor. From 1924 to 1928 he studied at a Catholic school, then continued his studies at the Kaiser Wilhelm Gymnasium in Cologne. After graduating from high school in Cologne, Böll, who wrote poetry and stories from early childhood, turns out to be one of the few students in the class who did not join the Hitler Youth. However, a year after leaving school, he is recruited into forced labor. Served in a bookstore. After graduating from the classical gymnasium (1936) he worked as an apprentice seller in a second-hand bookstore. In April 1939, he enrolled at the University of Cologne, where he was going to study literature, but after a few months he received a draft summons from the Wehrmacht. In 1939-1945 he fought as an infantryman in France, took part in battles in Ukraine and Crimea. In 1942 Böll marries Anna Marie Cech, who bore him two sons. Together with his wife, Böll translated into German such American writers as Bernard Malamud and Salinger. In early 1945 he deserted and ended up in an American POW camp. After his release, he worked as a carpenter, and then continued his education at the university, studying philology. Belle's literary debut took place in 1947, when his story "The News" was published in one of the Cologne magazines. Two years later, the novel The Train Came On Time (1949) was published as a separate book, telling about a soldier who, like Belle himself, deserted from the army. In 1950 Belle became a member of Group 47. In 1952, in the keynote article "Recognition of the Literature of Ruins", a kind of manifesto of this literary association, Belle called for the creation of a "new" German language - simple and truthful, connected with concrete reality. In accordance with the proclaimed principles, Belle's early stories are distinguished by stylistic simplicity, they are filled with vital concreteness. Belle's collections of stories "Not Just for Christmas" (1952), "The Silence of Dr. Murke" (1958), "The City of Familiar Faces" (1959), "When the War Started" (1961), "When the War Was Over" (1962) found a response not only among the general reading public and critics. In 1951, the writer received the Group 47 prize for the story "Black Sheep" about a young man who does not want to live by the laws of his family (this topic would later become one of the leading in Belle's work). From stories with uncomplicated plots, Belle gradually moved on to more voluminous things: in 1953 he published the story "And He Didn't Say a Single Word", a year later - the novel "A House Without a Master." They are written about the recent experience, the realities of the first very difficult post-war years were recognized in them, the problems of the social and moral consequences of the war were touched upon. The novel Billiards at half past nine (1959) brought Belle the fame of one of the leading German prose writers. Formally, it takes place over the course of one day, September 6, 1958, when a hero named Heinrich Femel, a famous architect, celebrates his eightieth birthday. In fact, the action of the novel contains not only events from the life of three generations of the Femel family, but also the half-century history of Germany. "Billiards at half past nine" consists of the internal monologues of eleven heroes, the same events are presented to the reader from different points of view, so that a more or less objective picture of the historical life of Germany in the first half of the 20th century is formed. Böll's novels are characterized by a simple and clear writing style, focused on the revival of the German language after the bombastic style of the Nazi regime. The grandiose Abbey of St. Anthony becomes a kind of embodiment of Germany, in a design competition for the construction of which Heinrich Femel once won and which was blown up by his son Robert, who left after the death of his wife in the anti-fascist underground. Post-war Germany, in which the heroes of the novel live, turns out, according to Belle, to be not much better than pre-war Germany: lies reign here too, money for which one can buy off the past. A notable phenomenon in Germanic literature was the following pain

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Belle's second work, Through the Eyes of a Clown (1963). Belle's novel, not rich in events, is, in fact, the inner monologue of the protagonist, circus artist Hans Schnier, the son of a millionaire industrialist, who recalls the years of his childhood in the war, his post-war youth, reflects on art. After the hero was left by his beloved Marie, whom Shnir considers "his wife before God", he begins to fall out of the rhythm of life, his "two congenital diseases - melancholy and migraine" are aggravated. Alcohol becomes the medicine against the failure of life for Hans. As a result, Shnir cannot enter the circus arena, he is forced to interrupt his performances for a while. Returning to his apartment in Bonn, he calls up acquaintances to find Marie, who became the wife of the Catholic leader Züpfner, but to no avail. From the hero's memories, the reader understands that he fell out of life long before he lost his beloved - even in adolescence, when he refused to participate in the teachings of the Hitler Youth with his classmates and, later, at twenty, when he rejected his father's offer to continue his work, choosing the path of a free artist. The hero finds no support in anything: neither in love, nor in a well-established life, nor in religion. “Catholic by intuition,” he sees how churchmen at every step violate the letter and spirit of the Christian commandments, and those who sincerely follow them in the conditions of modern society can turn into an outcast. In 1967 Böll received the prestigious German Georg Büchner Prize. The pinnacle of international recognition was the election of Belle in 1971 as president of the International PEN Club, before which he was already president of the German PEN Club. He held this post until 1974. In 1967 - Böll receives the prestigious German Georg Büchner Prize. And in 1972 he was the first German writer of the post-war generation to be awarded the Nobel Prize. To a large extent, the decision of the Nobel Committee was influenced by the release of the novel by the writer "Group portrait with a lady" (1971), in which the writer tried to create a grandiose panorama of the history of Germany in the 20th century. In the center of the novel, the life of Leni Gruyten-Pfeiffer, described through the eyes of many people, whose personal fate turned out to be closely intertwined with the history of her homeland. In the early 1970s, after a series of terrorist attacks carried out by West German ultra-left youth groups, Belle came out in their defense, justifying the horrendous actions of the unreasonable internal policy of the West German authorities, the impossibility of individual freedom in modern German society. Heinrich Böll tried to appear in print demanding an investigation into the deaths of members of the RAF. His story The Lost Honor of Katharina Blum, or How Violence Arises and Where It Can Lead (1974) was written by Belle under the impression of attacks on the writer in the West German press, which, not without reason, dubbed him the "inspirer" of terrorists. The central problem of "The Lost Honor of Katharina Blum", like the problem of all Belle's later works, is the invasion of the state and the press into the private life of an ordinary person. The dangers of state oversight of its citizens and the "violence of sensational headlines" are also described in Belle's latest works - "The Caring Siege" (1979) and "Image, Bonn, Bonn" (1981). In 1979, the novel Fursorgliche Belagerung was published, written back in 1972, when the press was overwhelmed with materials about the Baader Meinhof terrorist group. The novel describes the devastating social consequences arising from the need to strengthen security measures during a time of massive violence. Belle was the first and perhaps the most popular West German writer of the young post-war generation in the USSR, whose books became available thanks to the thaw of the late 1950s and 1960s. From 1952 to 1973, more than 80 stories, novellas, novels and articles of the writer were published in Russian, and his books were published in much larger circulations than at home, in the FRG. Belle was a frequent visitor to the USSR. In 1974, despite the protest of the Soviet authorities, he provided A.I. Solzhenitsyn, exiled by the Soviet authorities from the USSR, from the time

a new refuge in his home in Cologne (in the previous period, Belle illegally exported the manuscripts of the dissident writer to the West, where they were published). As a result, Belle's works were banned from publication in the Soviet Union. The ban was lifted only in the mid-1980s. with the beginning of perestroika. In 1981, the novel What Will Become a Boy, or Something about the Book Part (Was soll aus dem Jungen bloss werden, oder: Irgend was mit Buchern) was published - memories of his early youth in Cologne. In 1987, the Heinrich Böll Foundation was established in Cologne, a non-governmental organization closely cooperating with the Green Party (its branches exist in many countries, including Russia). The Foundation supports projects in the field of civil society development, ecology, and human rights. Böll died on July 16, 1985 in Langenbroich. In the same 1985. the very first novel of the writer is published - "Soldier's Legacy" (Das Vermachtnis), which was written in 1947, but was published for the first time.